Singer : Lata Mangeshkar
Lyricist : Naqsh Lyallpuri
Music Director : Jaidev
Movie : Tumhare Liye (1978)

SCALE : B

This song is based on Raag Shivranjani which follows the following notes : S R g P D S’…. S’ D P g R S…. Which means, throughout the song only one swar would be vikrti, i.e., Komal Gandhar (g). 

But, as I have mentioned in my other blogs also that, music directors often take liberty to deviate from the set notes in a Raag to add flavour to their compositions. Here in this song also, there is a subtle use of Komal Dhaiwat (d) and Komal Nishad (n) at some places, which is otherwise not allowed in Raag Shivranjani. 

A good song to practice ‘Meend’, ‘Murkis’ and yes, Raag Shivranjani. Enjoy!

STHAYI:

Tumhen | dekh | ti | hun |
S R | gP P | {DNDPDS’} | S’

to | lag ta | hai | aise
D | D S’ {DS’R’g’} | R’ | N~P g

Ke | jaise | yugon | se |
g | P DN | P g R | M

tumhen | jaa n ti | hun
R M | Pd P g R | SR S…

Agar | tum | ho | saa gar, |
S R | gP | P | {DNDPDS’} S’

main | pya si | nadi | hun
D | DS’ {DS’R’g’} | R’ N~P | g

Agar | tum | ho | saa wan, |
g P | DN | P | g R M

main | jal ti | kali | hun
R | RM Pd | P M~g R | S | SR S…

Tumhen dekhti hun…


ANTARA 1:

Mujhe | me ri | ninden, |
D DS’ | {DNS’R’g} R’~S’ | R’~S’…S’

mera | chain | de | do
S’ S’ | S’ g R | S’N~D | P~D~P

Mu jhe | me ri | sa p non | ki |
P P | P P | P~S’ S'(R’)S’ N | N~D~P

ik | rain, | de do | na |
P d | P M PM | RM PM | gR S(R)S…

Ya hi | baa t | pahale |
R M | Pd P | M~g g~R S(R)S…

Yahi | baa t | pehe le | bhi |
S R | gP P | {DNDPDS’} S’ | S’

tum se | kahi | thi
D S’ D S’ {DS’R’g’} | R’ N~P | g

Wahi | baat | fir | aj |
g P | DN P | g R M

dohara | ra hi | hun
R M Pd | P g R | SR S…

Piya tum ho sagar…


ANTARA 2:

Tumhen | chhu ke | pal | men |
S R | gP P | n~D nD | P

bane | dhu l | chan da n |
P P | {PDNS’} S’ | dP gR S

Tumhen | chhu…ke | pal | men |
S R | (P)d…d | d…P | P

bane | dhul | chndan |
P P | {PDNS’} S’ | dP…P

Tumhaa ri | ma ha k | se |
PP S’ {PDNS’R’g} | S’ R’~S S | S’…N D

mahakane | lage | tan
D D D n | S’ n~S’…n | d P

ma ha ka ne | la ge | tan
P d P MP | M R~M | g R S

Me re | paas | ao, |
R g | {PDN}P | g gR SrS

Mere | paas | aa o, |
S R | gP P | {DNDPDS’} S’

gale | se | lagaao
D S’ | {DS’R’g’} | S’ n P g

Piya | aur | tum se | main |
g P | Dn P | g R M | R

kya | chah ti | hun
M | PdP g R | SR S…

Tumhe dekhti hu….

ANTARA 2:

Ho….
P P | DS’ | DnD | PdP

Murali ya | samajha kar |
DDS’ g | S’ R’S’ S’…

Murali ya | samajha | kar
DDS’ {DNS’R’g’} | S’ R’~S’ S’ | S’…

mu jhe | tum | uthha | lo
D S’ | S’~g’ | R’ S’~n~D | PD P

Bas | ek | baar | hon thhon | se
P | PP | P P | PS'(R’)S’ n n~D~ | P

ap ne | la ga lo | na |
Pd PMP | M RM PM | g R SRS

ek | baar | ho n thhon | se |
PP | P P | P S’ (R’)S’ n n~D | P

a p ne | la ga lo | na |
P dP MP | M RM PM | g RS

Koi | sur | to | jaa g e |
R g | Dn | P | g gR S(R)S

Koi | sur | to | jaa ge
S R | g P | P | {DNDPDS’} S’

meri | dhad ka non | men
D S’ | {DNS’R’g’} S’ n P | g

Ke | main | apani | saragam | se
g | P | nn P | g R M | M

ru thhi | hu i | hun
RM Pd | P M~g~R | SR S

Tumhe dekhti hu….

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

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