chupke chupke rat din

Chupke Chupke Raat Din Sargam Notes


HOW TO READ THE NOTATIONS

  • CAPITAL LETTERS
    = Shuddh Swars (Natural Notes)
  • small letters
    = Komal Swars (Flat Notes)
  • M with # [hash] or ^ [exponent]
    = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY
    = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma]
    = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote]
    = High Octave Note/harder blow on flute
  • Notes in { }
    = “murki” have to be played very fast without any pause
  • A Note in ( )
    = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes 
    = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note 
    = Play and hold that note

Sargam notations for Ghazal Chupke Chupke Raat Din Ansoo Bahana Yaad Hai Writer : Maulana Hasrat Mohani Composed and Sung by : Ghulam Ali The ghazal was included in a shorter version in the movie : Nikaah (1982)

When I first sat down to write Sargam for this ghazal, it took me days to figure out that correct first note of this song.  I watched some instrumental videos of this ghazal, and many of those started with the note Ma.  I also tried to play this ghazal with Ma a first note, but by doing so, I wasn’t able to land up correctly on the Antara.  And being a finicky that I am when it comes to correctness of sound to my ear, I tried Re, Ga, Da, Ni as the first note, but something was not working out.  Then finally I played the Prelude music of this song taking Sa as first note.  And Viola! that was it. The Mukhda and Antara sounded perfectly alright afterwards.

Then I coincidentally found more details on this ghazal and found that this song is based on Raag Kaafi.  Now to test the correctness of my Sargam, I looked for the Aaroh Avroh of Kaafi Raag.  To my utter happiness, I found that I have indeed written down the correct Sargam notes for this ghazal. In most places, the Sargam in this song includes Komal Ga and Komal Ni.

PRELUDE (Guitar + Violin)
SG PMP
SG PGM
,NR MRG
RSR S,N S,N,P

(Humming)
Hmm… | hm … | hm hm
S… | g~R~S | M R S ,n

Aa.. aa.. aa…
,N(S),NDP | g… | M…

Hm m m
RSNS | R S | R S | ,NS ,P

Hm hm | hm m | hm m | hm m
g..Mg | ,NS ,P | S RS

VIOLIN :
P… | M D S D PM… | gP NP Mg
M… RSNS | R S | R S | ,NSP
g..Mg | ,NS ,P | S RS

MUKHDA:

Chupke | chupke | raat | din
S ,P | S S~g~R~S | M R SRS ,NS,N | n

aansu | bahaana | yaad | hai – 2
,nS | R g…Rg MPdP | g RS P | MPMR ,NS,NP

MUSIC : S R g M…

Humko | ab tak | aashiqui | ka
P… P | PP SP | P(D)PM MM | PM~R~g

voh | zamaana | yaad | hai
S~,N R | ,NR gPDS’ PS’DP | MgRS S | SgRS,NP

Chupke | chupke | raat | din
S ,P | S S~g~R~S M | RM…g | Sg…S,N

aansu | bahaana | yaad | hai
,nS | R g…Rg MPdP | g RS S | S

INTERLUDE (Sitar):
gM DP
gM D nD
S’ nPM~g
MgM gRSN
,P~n~,P n~S~n S~g~S
GM DP

ANTARA 1:

Tuzse | milte | hi | wo | kuchh
PP P | P…Pdn DPM | P…| P | MgRS

bebaak | ho | jana | mera
SR RMg…g | PM | D~P P | PP MGRSRGM

Tuzse | milte | hi | wo | kuchh
PP M | PSNS DPMDS | D~P | P | P

bebaak | ho | jana | mera
D n…D | DnDP | gP PD… | P MGRSNDP

Aur | tera | dato | me | wo
S | ,P PS | g~R~S M~R g~S R~n | n

ungli | dabana | yad | hai
nnS | Rg…RgMPDP | MgRS S | S

Hamko abtak aashiqui
ka wo zamana yad hai

Chupke chupke rat din
aansu bahana yaad hai

ANTARA 2:

Chori chori hamse tum
aakar mile the jis jagah-2
Muddate guzri magar
abtak wo thikana yaad hai

Humko abtak aashiqui ka
wo zamana yaad hai
Chupke chupke raat din
aansoo bahana yaad hai

ANTARA 3:

Khench le na voh mera
parde ka kona daffatan – 2
Aur dupatte se tera
voh munh chhupaana yaad hai

Humko ab tak aashiqui ka
voh zamaana yaad hai

Chupke chupke raat din
aansu bahaana yaad hai

ANTARA 4:

Do paher ki dhoop mein
mere bulaane ke liye – 2
Voh tera kothe pe
nange paaon aana yaad hai

Humko ab tak aashiqui ka
voh zamaana yaad hai

Chupke chupke raat din aansu bahaana yaad hai
Hm mm mm hm, aah aah, mm mm mm mm, mm mm mm hm mm ….

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