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How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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Se Prothom Prem Amar Nilanjana

Singer, Lyricist, Music Director  : Nachiketa Chakraborty Album : Eyi besh bhalo achhi (1993) Scale : C I always feared to write notations for the songs composed by Nachiketa, because his compositions are tough with loads of lyrics in almost

Bajlo Tomar Alor Benu (Mahalaya)

Song:- Bajlo Tomar Alor Benu Singer:- Supriti Ghosh Music:- Pankaj Kumar Mullick Lyrics:- Bani Kumar Scale : C# This popular Bengali song, especially sung on the occasion of Durga Puja, is based on Raag Bhairavi in which all the four

Jago Tumi Jago (Mahalaya)

The song begins on “Pa” of low octave and gradually covers all the octaves.  Komal “Dha” and Komal “Ga” are prominently used in this song.  I have produced the Sargam on my G# scale flute. Observed seven days before the Durga

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